Joseph Kaiser - Over the past year, the young tenor has performed the title role of Faust at the Lyric Opera of Chicago, conducted by Sir Andrew Davis; the title role of Messager's Fortunio at the Opéra Comique under the baton of Louis Langrée; and the role of Admete in Gluck's Alceste at the Aix-en-Provence Festival, also with Mr. Langrée. The artist sings the role of Narraboth in a concert performance of Salome with Valery Gergiev and the Verbier Festival Orchestra, Beethoven's Symphony No. 9 with Ivor Bolton and the Wiener Symphoniker at Vienna's Konzerthaus, and Stravinsky's Pulcinella with Roberto Abbado and the Saint Paul Chamber Orchestra. Other recent roles have included Tamino in Die Zauberflöte under the baton of James Conlon at the Los Angeles Opera and as Steva Burja in Jen?fa at the Bayerische Staatsoper in a new production by Swiss theatre director Barbara Frey, conducted by Kirill Petrenko. He returned to the Salzburg Festival as Septimius in a new Christoph Loy production of Handel's Theodora, conducted by Ivor Bolton, and sang Narraboth in Salome at the Metropolitan Opera, (where he had previously played Romeo to the Juliet of Anna Netrebko) with Patrick Summers conducting (seen internationally on The Met: Live in HD experience). His dynamic concert schedule has featured performances of the Berlioz Requiem, under Marek Janowski, with the combined forces of the Tonhalle-Orchester Zürich and the Orchestre de la Suisse Romande, Beethoven's Symphony No. 9 with Christoph von Dohnányi and the Boston Symphony Orchestra; Mendelssohn's Elijah with Yannick Nézet-Séguin and the Orchestre Métropolitain du Grand Montréal, and a European concert tour with soprano Annette Dasch and Deutsche Radio Philharmonie Saarbrücken Kaiserslautern under the direction of Christoph Poppen. He can be heard with the late Lorraine Hunt Lieberson in the NYFOS performance of Spanish Love Songs, accompanied by Steven Blier on Bridge Records.
Dina Kuznetsova - the Moscow-born soprano graduated from The Academic Music College of the Moscow Tchaikovsky Conservatoire (piano). She received her vocal training at the Oberlin Conservatory of Music. In 1999, while attending the Music Academy of the West, California, Dina Kuznetsova sang the title role in Handel's Rodelinda and won the Marilyn Horne Foundation Competition, which granted her a New York debut recital in May 2000. That summer, she gave a duet recital under the auspices of Renata Scotto's Opera Academy in Savona, Italy. Ms. Kuznetsova's international performances in a wide variety of lyric and coloratura repertoire began with Merab in Saul in Brussels, followed by Donna Anna in Don Giovanni and Adina in L'elisir d'amore (Berlin Staatsoper), Giulietta in I Capuleti e i Montecchi (London's English National Opera) and the title role in Rodelinda (Munich's Staatsoper). She has brought her Musetta to San Francisco, her Violetta to Costa Mesa (Opera Pacific) and Boston Lyric Opera, and her Gilda to Boston Lyric Opera, Lyric Opera of Chicago and Cincinatti. Kuznetsova sang the title role in The Cunning Little Vixen at Lyric Opera of Chicago. She also returned there as Juliette in Romeo et Juliette. Highlights of the past year included a return to the Lyric Opera of Chicago as Tatyana in Eugene Onegin opposite Dmitri Hvorostovsky and conducted by Sir Andrew Davis, her Vienna State Opera debut as Gounod's Juliette and her Royal Opera and Covent Garden debut as Lauretta in a new production of Gianni Schicchi.
Kate Lindsey returns this season to the Metropolitan Opera in the role of Nicklausse in Offenbach's Les Contes D'Hoffmann, and makes her debut at the Bayerische Staatsopera as Cherubino in Mozart's Le Nozze di Figaro. A graduate of the Metropolitan Opera's Lindemann Young Artist Development Program, Lindsey's roles with the company have also included Cherubino, Wellgunde in Wagner's Ring, Stéphano in Gounod's Roméo et Juliette, and Siébel in Gounod's Faust. Additional performances include Cherubino at Théatre des Champs-Élysées and Boston Lyric Opera, Lazuli in Chabrier's Étoile and Angelina in Rossini's Cenerentola at Wolf Trap Opera. As a Young Artist at Opera Theatre of Saint Louis, Lindsey sang Mercédès in Bizet's Carmen, Stéphano, and Rosina. She made her debut with Santa Fe Opera as Zerlina in Mozart's Don Giovanni, and returns to the company this summer as Nancy in Britten's Albert Herring and Nicklausse. Concert performances include Ascanius in Berlioz's Les Troyens at the Tanglewood Music Festival and Ravel's L Enfant et les sortilèges with the New York Philharmonic, as well as performances with the Mostly Mozart Festival and the Cleveland Orchestra. She will make her Seattle Opera debut this year in the title role in Daron Aric Hagen's Amelia.
Steven Blier
Artistic director Steven Blier co-founded the New York Festival of Song (NYFOS) in 1988 with Michael Barrett. Since the Festival's inception he has programmed, performed, translated and annotated over one hundred vocal recitals with repertoire spanning the entire range of American song, art song from Schubert to Szymanowski, and popular song from early vaudeville to Lennon-McCartney.
Mr. Blier also enjoys an eminent career as an accompanist and vocal coach. His recitals with Renée Fleming, Cecilia Bartoli, Samuel Ramey, Susan Graham, Frederica von Stade, and Jessye Norman, have taken him to the stages of Carnegie Hall, La Scala, and London's Wigmore Hall. He has premiered works of John Corigliano, Ned Rorem, William Bolcom, John Musto, Paul Moravec, Tobias Picker, Robert Beaser, and Lee Hoiby, many of which were commissioned by NYFOS.
In addition to his many recordings with NYFOS, Mr. Blier's discography includes four volumes of songs by Charles Ives with baritone William Sharp (Albany Records), a Grammy-nominated CD of American songs with Mr. Sharp (New World Records), and first recordings of music by Busoni and Borodin with cellist Dorothy Lawson (Koch International). His two most recent releases are The Land Where the Good Songs Go with Sylvia McNair and Hal Cazalet, and Spanish Love Songs with Joseph Kaiser and the late Lorraine Hunt Lieberson (Bridge Records).
Mr. Blier is on the faculty of The Juilliard School, and has been active in encouraging young recitalists at summer programs, including the Wolf Trap Opera Company, Glimmerglass Opera, and the San Francisco Opera Center.
Michael Barrett
NYFOS co-founder and Associate Artistic Director Michael Barrett is Chief Executive and General Director of the Caramoor Center for Music and the Arts. In 1992, he co-founded the Moab Music Festival with his wife, violist Leslie Tomkins. From 1994 to 1997, he was the Director of the Tisch Center for the Arts at the 92nd Street Y in New York.
A protégé of Leonard Bernstein, Mr. Barrett began his long association with the renowned conductor and composer as a student in 1982. He is currently the Artistic Advisor for the estate of Leonard Bernstein. Mr. Barrett has been a guest conductor with the Orchestra of St. Luke's, the New York Philharmonic, the London Symphony, the Israel Philharmonic and the Orchestre National de France, among others. He also has served variously as conductor, producer, and music director of numerous special projects, including the world premiere of Volpone by John Musto.
Mr. Barrett's discography includes: Spanish Love Songs, recorded live at Caramoor with Lorraine Hunt Lieberson, Steven Blier, and Joseph Kaiser; Live from the Moab Music Festival; the Grammy-nominated Evidence of Things Not Seen (New World Records); Aaron Kernis: 100 Greatest Dance Hits (New Albion); On the Town (Deutsche Grammophon); Kaballah (Koch Classics) by Stewart Wallace and Michael Korie; Schumann Lieder with Lorraine Hunt and Kurt Ollman (Koch); and Arias and Barcarolles (Koch) by Leonard Bernstein (Grammy Award).
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New York Festival of Song was founded in 1988 by Steven Blier and Michael Barrett. NYFOS is dedicated to creating intimate song concerts of great beauty, humor and originality, combining music, poetry, and history to entertain, educate and create community among audiences and performers. With a far-ranging repertoire of art songs, concert works and theater pieces, its thematic recitals have included programs from Brahms to the Beatles, from the nineteenth-century salons of Paris to Tin Pan Alley, from Russian art song to Argentine tangos, from sixteenth-century lute songs to new music. NYFOS particularly celebrates American song literature and culture, and specializes in premiering and commissioning new American works.
NYFOS's New York City concert series is funded, in part, by the New York City Department of Cultural Affairs, in partnership with the City Council, and by the New York State Council on the Arts.
The May 4 and 6, 2010 performances of The Newest Deal are made possible, in part, by a generous grant from the National Endowment for the Arts.
*Beautiful Ohio is commissioned by the ASCAP Foundation Charles Kingford Fund.
The second season of the Caramoor Vocal Rising Stars program will be underwritten, in part, by The Terrance W. Schwab Fund for Young Vocal Artists.
Paul Appleby appears with the cooperation of The Metropolitan Opera Lindemann Young Artist Development Program.
