Christopher Boal (playwright 23 Knives) wrote the critically acclaimed play Crazy for the Dog, originally produced by the Jean Cocteau Rep at the Bouwerie Lane Theatre in the summer of 2006 and extended for a commercial off-Broadway run by Rachel Reiner Productions. Last year, Crazy for the Dog received its first regional production in Atlanta, GA. Boal is also the creator and author of The Continuing Adventures of Dick Danger, a late-night comedy/adventure serial that spanned 50 episodes over two and a half years in New York. A successful limited revival of the show recently bowed at the Cocteau, produced by Moonwork. Christopher's short film Walking Charley is the winner of two Aurora Awards and has been featured in a number of prominent film festivals. His play A Hope for the World won an audience award at the Edinburgh Fringe Festival. Christopher is a member of the BMI Musical Theatre Workshop, and is currently working on the musical Low Life with composer Andrew Sherman (Debbie Does Dallas). Boal is a former member of Curt Dempster's playwrights lab at Ensemble Studio Theatre.

Bernard Shaw (playwright Caesar and Cleopatra) (1856-1950) was born in Dublin, the son of a civil servant. He established himself in London as a leading music and theatre critic in the 1880s and 1890s and became a prominent member of the Fabian Society, for which he composed many pamphlets. He began his literary career as a novelist; as a fervent advocate of the new theatre of Ibsen, he decided to write plays in order to illustrate his criticism of the English stage. Widower's Houses (1892) and Mrs. Warren's Profession (1893) savagely attack social hypocrisy, while in plays such as Arms and the Man (1894) the criticism is less fierce. Shaw's radical rationalism, his utter disregard of conventions, his keen dialectic interest and verbal wit often turn the stage into a forum of ideas, most notable in Man and Superman (1903). Other important plays are Candida (1898), Caesar and Cleopatra (1901), Major Barbara (1905), The Doctor's Dilemma (1906), Androcles and the Lion (1912), Pygmalion (1912), Heartbreak House (1919), Back to Methuselah (1921) and Saint Joan (1923). Shaw wrote 63 plays and his complete works appeared in thirty-six volumes between 1930 and 1950. Shaw won the Nobel Prize for Literature in 1925 and a 1938 Academy Award for his screenplay of Pygmalion.

Austin Pendleton (playwright Booth) is an American film, television, and stage actor, a playwright, and a theatre director and instructor. Pendleton is a graduate of Yale University, where he was a member of Scroll and Key Society. As a stage actor, he has appeared in The Last Sweet Days of Isaac (for which he won the Drama Desk Award for Outstanding Performance), The Diary of Anne Frank, Grand Hotel, Goodtime Charley, The Little Foxes, Fiddler on the Roof, and Up from Paradise. Pendleton penned the plays Uncle Bob, Booth, and Orson's Shadow, all of which were staged off-Broadway. His direction of ElizaBeth Taylor and Maureen Stapleton in Lillian Hellman's The Little Foxes garnered him a Tony Award nomination. Additional directing credits include Spoils of War by Michael Weller, The Runner Stumbles by Milan Stitt, and The Size of the World by Charles Evered. Pendleton served as Artistic Director for Circle Repertory Company with associate artistic director Lynne Thigpen. Pendleton is an ensemble member of the Steppenwolf Theatre in Chicago. He began his artistic relationship there by directing Ralph Pape's Say Goodnight, Gracie for the 1979-80 season. In addition to directing at Steppenwolf, Mr. Pendleton has appeared as an actor in such Steppenwolf productions as Uncle Vanya, Valparaiso and Educating Rita. Notable film and tv roles include Finding Nemo, A Beautiful Mind, What's Up Doc?, Catch-22, My Cousin Vinny and The Muppet Movie.

Kent Paul (director Caesar and Cleopatra) helped launch Contemporary Stage Company in Wilmington, Delaware, where he directed productions of Donald Margulies' Collected Stories starring Lynn Redgrave, Joe Sutton's Restoring the Sun, and two plays in the 2006 Athol Fugard Festival: The Island with Keith Powell and Sean PatRick Thomas, and Exits and Entrances. Other productions include The Bird Sanctuary by Frank McGuinness with Elizabeth Franz and Hayley Mills (U.S. premiere, Pittsburgh Public Theater, Alabama Shakespeare Festival); Long Day's Journey into Night with Sam Waterston, Elizabeth Franz, John Slattery and James Waterston (Syracuse Stage); The Glass Menagerie and Look Homeward, Angel (PlayMakers Repertory Company); and Lanford Wilson's The Mound Builders (Burning Coal Theatre Company). Musicals include: She Loves Me (choreographed by Marge Champion) and Kiss Me, Kate at the Berkshire Theatre Festival. New scripts he has directed include The Double Bass with Boyd Gaines (an adaptation by Eric Overmyer of the German play by Patrick Süskind), Peking Man by Cao Yu (the foremost Chinese playwright of our time), Journey to Gdansk, which introduced Polish playwright Janusz Glowacki in this country, and the 2008 Fringe Festival production of Lecture, with Cello by Robert Moulthrop. His documentary film Sanford Meisner - The Theater's Best Kept Secret was broadcast on PBS, had an extended run at the Public Theater, and was seen at film festivals around the world. A native of Nebraska, he is a graduate of Harvard College and the Neighborhood Playhouse School of the Theatre.

Eric Parness (director 23 Knives and Booth) is the Artistic Director of Resonance Ensemble where he has directed productions of Sophocles' Antigone, Gorky's The Lower Depths, Chekhov's The Cherry Orchard and world premiere productions of Strange Bedfellows by Bruce Cohen, La Tempestad by Larry Loebell, The Mail Order Bride by Charles L. Mee, and Sherlock Solo by Victor L. Cahn. Other directing credits include world premieres of Fit to Kill (Theatre Row), Kryptonite City (Hypothetical Theatre Company), and Finding Louise (Oberon Theatre Ensemble), as well as revivals of Measure for Measure, Blood Wedding, Of Mice and Men and Michael Weller's Ghosts on Fire. and other new work with adobe theatre company, Ensemble Studio Theatre and Vital Theater Company. He has also directed educational theatre for Stern College, Marist College and Brandeis University. Eric served as Assistant to Artistic Director Curt Dempster of Ensemble Studio Theatre and four seasons as Associate to Artistic Director Jeff Horowitz of Theatre for a New Audience. Eric is an alumnus of Brandeis University and the Lincoln Center Theater's Directors Lab, and is a member of the Society of Stage Directors and Choreographers.