Signature Presents OLD HATS Created and Performed by Bill Irwin and David Shiner, Beginning in February

Signature Theatre has announced the world premiere of Old Hats, created and performed by Tony Award winners Bill Irwin and David Shiner, with music by and featuring Nellie McKay, and directed by Tina Landau. All tickets for the initial run of the production are $25 as part of the Signature Ticket Initiative: A Generation of Access. Tickets go on sale January 8, 2013. The production runs February 12 through March 31, 2013, with a March 4 opening night in The Irene Diamond Stage at The Pershing Square Signature Center (480 West 42nd Street between 9th and 10th Avenues).

2003-04 Playwright-in-Residence Bill Irwin reunites with fellow clown David Shiner for a new work combining their inimitable magic, slapstick, and hilarity. Using music, technology, and movement, plus other tricks up their sleeves, Irwin and Shiner create another wild and remarkable outing of theatre for a new generation of audiences. Signature is proud to present this dynamic duo’s first collaboration since the smash Broadway hit Fool Moon.

The design team includes G.W. Mercier (Scenic and Costume Design), Peter Kaczorowski (Lighting Design), John Gromada (Sound Design), and Wendall K. Harrington (Projection Design). David H. Lurie is the Production Stage Manager.

To purchase tickets for all Signature Productions, call the Signature Theatre Box Office (212-244-7529) or visit signaturetheatre.org.

Tickets to the initial runs of all Signature Productions at The Pershing Square Signature Center are $25, part of the groundbreaking Signature Ticket Initiative: A Generation of Access, a program that guarantees affordable and accessible tickets to every Signature production for the next 20 years. Serving as a model for theatres and performing arts organizations across the country, the Initiative was founded in 2005 and is made possible by lead partner The Pershing Square Foundation. Additional support provided by Founding Sponsor Time Warner Inc., Margot Adams, the Ford Foundation, and the New York City Department of Cultural Affairs.

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