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The ‘Fantastick' Nick Spangler and Starr Spangler To Run 'The Amazing Race'

"Try to see it under light.  I assure you it's dazzling."   So speaks Henry Albertson, the old actor in Tom Jones and Harvey Schmidt's perennially endearing musical The Fantasticks, which is once again running at the Jerry Orbach Theater in the Snapple Center on West 50th Street. 

The actor's words come to mind while visiting the empty performing space.  The stage is still set from the previous evening's performance.  There are some boxes the floor which is littered with confetti.  Behind this, the famous show curtain billows gently from the theater's air conditioning system.  Everything about Ed Wittstein's set is intentionally simple but it comes to life beautifully once Mary Jo Dondlinger's lighting is raised and the pinks and blues that flood the set make it the imaginative milieu for the long-running tale of young love and its disappointments. 

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Joe Panarello is one of those people who have most certainly been born with theater in their blood. As an actor, Joe has played such varied roles as Harry Roat in Frederick Knott's Wait Until Dark, Jimmy Smith in No, No Nanette and Lazer Wolf in Fiddler on the Roof a vehicle he's performed in several times and designed the sets for on one occasion. He's also directed productions of Thornton Wilder's Our Town, Neil Simon's Barefoot in the Park and Henrich Ibsen's Peer Gynt. Joe is a respected author and although his latest work, The Authoritative History of Corduroy won't be published until this summer, it is already being translated into several different languages by a group of polyglot nuns in Tormento, Italy.. The proceeds from their labors will go to the restoration of the nearby Cathedral of Gorgonzola.
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